Clare Willsdons new book explores the rich history and striking evolution of Impressionist garden paintings. By the 1860s, gardens were highly popular in France; the introduction and cross-breeding of new plant and flower species and the opening to the public of the former royal parks had stimulated a great horticultural movement. With their delight in colour, plein-air effects and modern-life themes, the Impressionists and their followers naturally turned to gardens for artistic inspiration. This book follows the spread of the Impressionist garden in the late 19th and early 20th centuries, and illustrates not only masterpieces of Impressionism by Manet, Pissarro, Renoir, Sisley and others, but also works by such forebears as Delacroix, Corot, Courbet and later figures like Van Gogh, Gauguin, Klimt and Sargent. With its spectacular illustrations and accessible, engaging text, it will appeal equally to the scholar, student, art lover or gardening enthusiast.
To keep her mind off the legal battle over the oceanfront cottage she's trying to buy, Meg agrees to help her friend inventory and clear out furniture from the massive Montauk estate of wealthy art broker Harrison Falks. But the job takes a terrifying turn when Meg discovers a skeleton in a hidden room in one of the estate's many bungalows. The remains turn out to be those of Harrison's son, who went missing nearly twenty years agoâ€”along with one of his father's Warhol paintings.
From the PREFACE .
Addressing the issue of behaviour problems in the early years, this book offers early years practitioners a practical and well-researched resource covering subjects such as:
This resource is based on the author's own experience and research in early years practice and she uses a range of practical tips, strategies, activity ideas, forms and checklists to convey her message.
Papatheodorou shows that successful early identification and management of behaviour problems requires informed practice that takes into account existing theoretical and conceptual works. All professionals working in an early years environment will find this an invaluable read.
The Garden of Perfect Brightness (Yuanming Yuan) in the western suburbs of the Quing capital, Beijing, was begun by the great Kangxi (r. 1661-1722) and expanded by his son, Yongzheng (r. 1722-1736) and brought to its greatest glory by his grandson, Qianlong (r. 1736-1796). A lover of literature and art, Qinglong sought an earthly reflection of his greatness in his Yuanming Yuan. For many years he designed and directed an elaborate program of garden arrangements. Representing two generations of painstaking research, this book follows the emperor as he ruled his empire from within his garden. In a landscape of lush plants, artificial mountains and lakes, and colorful buildings, he sought to represent his wealth and power to his diverse subjects and to the world at large. Having been looted and burned in the mid-nineteenth century by western forces, it now lies mostly in ruins, but it was the world's most elaborate garden in the eighteenth century. The garden suggested a whole set of concepts-religious, philosophical, political, artistic, and popular-represented in landscape and architecture. Just as bonsai portrays a garden in miniature, the imperial Yuanming Yuan at the height of its splendor represented the Qing Empire in microcosm.
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